辦公室家具、現代創(chuàng )意家居整體制造

gaga鮮語(yǔ)咖啡廳全新店的設計這是一間屬于LOFT風(fēng)格的創(chuàng )意咖啡廳。在這個(gè)高度競爭的行業(yè)中，gaga鮮語(yǔ)代表的正是年輕，新鮮，現代以及時(shí)尚前沿的品牌形象，將其與眾多其他品牌真正的區分開(kāi)來(lái)。在為深圳的gaga鮮語(yǔ)創(chuàng )造一個(gè)新的店鋪設計時(shí)，協(xié)調亞洲將那些幫助gaga成功的精華部分提取，并營(yíng)造出一個(gè)穿越室內與室外的模糊邊界的獨一無(wú)二的空間概念。 這個(gè)為gaga設計的新商鋪運用了現有品牌的主題顏色。整體氛圍溫暖，自然舒適。實(shí)木材質(zhì)，柔軟的針織材料河綠色的植物裝點(diǎn)都為整個(gè)空間營(yíng)造了一份平靜休閑的和諧環(huán)境。 新的室內設計的主要概念在于“穿越邊界”的概念，通過(guò)定制的天花板木飾板裝置來(lái)表現，這些仿佛如同一縷縷陽(yáng)光從店內破涌而出。木飾板沿著(zhù)墻面延伸形成了商品的貨架。大型的吊燈通過(guò)乒乓球大小的燈泡裝點(diǎn)，與幽暗的燈光和輕柔的爵士樂(lè )共同營(yíng)造出酒廊的氛圍。室外的木地板延伸進(jìn)入室內，逐漸轉化為流暢的大理石地面。 gaga的靈魂在于它所提供的食物。更注重商品的細節，墻面上裝滿(mǎn)商品的貨架在店內延伸，使顧客置身于gaga的飲食文化氛圍之中。在這里顧客能找到在gaga自己的廚房中所使用的各種最優(yōu)質(zhì)的食材和調料。這個(gè)特殊的產(chǎn)品概念“從我們的廚房到你的廚房”不僅推動(dòng)了gaga對于食物品質(zhì)的要求同時(shí)也使顧客感覺(jué)在gaga自己的食品儲藏室中隨意挑選。gaga對于品質(zhì)的關(guān)懷同樣可以在其他細節中得以觀(guān)察到；從彰顯個(gè)性的餐具到裝飾藝術(shù)品。沒(méi)有相類(lèi)似的物件，每一項都經(jīng)過(guò)精心挑選。靈活的座位排布計劃使gaga能夠在保持家庭感舒適感的同時(shí)又能接待大客流。沿墻的沙發(fā)靠背椅一路從室內延展到室外。位于餐廳中央位置的自由式座位可以以多種方式組合試用，來(lái)根據不同場(chǎng)合和聚會(huì )人數等情況作出調整。立足于深入了解品牌本身，設計不僅著(zhù)重表現并保留了gaga獨特的品牌形象,同時(shí)讓gaga的消費者在新店中將會(huì )有賓至如歸的感受。

Design Brief Design Research Studio was asked to create a dynamic venue for a new concept in dining. The premise was to create a spectacular atmosphere which combines fine dining with an informal atmosphere, where the customers feel inclined to dance and participate with surprising circus and burlesque performances. The interior was to reflect the ‘circus concept’ within a flexible design. Design Challenges The main challenge was transforming the drinking and dining experience into a simultaneously stimulating entertainment space. This includes a series of flexible design features which allow for a variety of entertainment opportunities. In order to create integrity with the performance aspect of the brief, Design Research Studio referenced the history of the building as the Royal Opera House menagerie. Design Results The surrealist inspired design incorporates a landscaped ceiling of mirrored globes, a kaleidoscopic reception desk and a kinetic, 3d art wall. The bespoke furniture engages and entertains: the main dining table doubles as a stage (which moves to allow for a larger dance floor), the step into the lounge integrates a dance pole, a mirrored WC lobby houses a hidden water-fountain and animal inspired furniture encourage participation and conversation.

Lying on the slope of a hill, on the shores of Lake Lugano , the villa consists of two volumes organized on different levels due to the particular topography of the site.
A polygonal shaped glass pavilion with rounded edges stands above a linear underground block. The living and dining room, the kitchen and storage spaces are located in the pavilion, while bedrooms, bathrooms and garage are in the lower level. Each level relates itself with independent outdoor spaces, which are closely related with the interiors.
The glass pavilion overlooks two very defined areas: the first, toward the mountain, is a very private zone resulted in the area between the property line and the building setback line according to the local building code. The second is a garden overlooking the lake. In the same way, the bedrooms face a garden enclosed by the building and the perimeter wall.
The ring, obtained between the perimeter wall above and the pavilion, amplifies the interior space, with seems much larger than what it actually is. The ring-like space, that embraces the building on the north side, grants constant ventilation and natural light to the living areas, also due to the white cladding of the perimeter wall and white gravel which reflect the sunlight coming from the south. A night-time artificial light scene is the ideal reverse field for the lake panorama.
All the additional functions of the pavilion are contained in a central lacquered wood block, which acts as a sort of a thick penetrable wall that separates the kitchen from the living room without dividing the space with doors, and in which are located the powder room, the kitchen, the stairs, bookcases, all mechanical systems and the technological and audio-video equipment.
Great attention is given to the environmental aspects, as the use of geothermal energy, roof gardens, the rain-water collection system, the choice of highly efficient low-emittance glass insulated with argon gas, to optimize the thermal efficiency of the shell and the use of natural sun shading as the placement of deciduous trees in the south-west area of the building.

每個(gè)客戶(hù)都有一個(gè)獨特的故事。 我們告訴它用設計的語(yǔ)言。 斯塔凡Tollgard設計團隊提供了一個(gè)獲獎的建筑室內設計服務(wù)為國際客戶(hù)。 斯塔是BIID疾病的正式成員,英國室內設計研究所和100年主要設計師之一的房子和花園的有影響力的目錄。 他們的條目描述”一個(gè)深思熟慮的設計師,他的工作的特點(diǎn)是英畝的定制的存儲空間,不同的質(zhì)感和大膽的規模。 組的工作是在16卷的安德魯·馬丁的著(zhù)名室內設計審查。 STDG已完成100多一個(gè)高端住宅項目,每一個(gè)創(chuàng )新,解決客戶(hù)的短暫的創(chuàng )意方案,每個(gè)不同的規模和風(fēng)格。 集團協(xié)同工作在一個(gè)廣泛的住宅、高端項目,從完整的新構建的翻新。 工作傾向于現代但STDG有著(zhù)豐富的經(jīng)驗與上市時(shí)間屬性。 實(shí)踐也有商業(yè)設計部門(mén),提供設計服務(wù)和咨詢(xún)的項目從概念酒店、餐館和零售空間發(fā)展辦公室和屬性,在英國和歐洲。